Worst Songs List

Top 10 List: Worst Songs of 1971

I’ve seen a couple of articles saying that 1971 was one of the best years for music. For rock, that might be true, but I feel like the genre is a bit under-represented in this year-end chart. It was, however, another fantastic year for R&B and both pop and country music were hit-or-miss for the most part. We’re going to be talking about the biggest misses with this list, so let’s get started.

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We start the list off with some country, more specifically, Watching Scotty Grow by Bobby Goldsboro. Dear Cthulhu, is this some schmaltzy shit. I get it; it’s about the bond between father and son, but could you have done this in a not-so cheesy way? It’s the music equivalent of that one person always bragging about their child doing the most mundane things and you just want them to shut up. This is the music your conservative relatives would listen to while you’re trying your best to distance yourself from them while trying to be kind to them. For every great song that exists in the 70s, there’s at least 3 songs that are just lame.


You know? When making a song that would get played at a wedding, you don’t want to make something that will put people to sleep. Well, Paul Stookey made that mistake and gave us The Wedding Song (There Is Love). It’s the ultimate acoustic guitar song where that’s the only instrument in the song and it does not do anything interesting outside of the typical plucks that amateurs can do. Even more lifeless is Paul Stookey, whose dull droning doesn’t carry the love and passion that’s supposed to go into a supposed wedding song. If there’s a chance that I do get married in the future, there is no way this song will be on the DJ’s playlist.


Carly Simon is who I would describe as the 70s Taylor Swift. The fact that Taylor cites Carly as an influence on her is no coincidence. They share a similar approach in the way they write songs and view the world. That’s The Way I’ve Always Heard It Should Be is revolved around shitty relationships; parents, friends, a young couple, etc. The way Carly treats these situations is very nonchalant, like she thinks this is normal. Bad relationships are not good for anyone’s personal welfare. If something isn’t going right, either fix the situation or get out of it. Pretending that nothing is wrong will only make things worse. Setting that aside, the song is extremely dull sounding like most 70s piano ballad. And this isn’t even the worst that Carly Simon could do.


Bread. That is the most appropriate name for this band since they’re plain as bread and so is this song. If is another one of those songs that gets played at weddings and it’s ridiculously schmaltzy thanks to the instrumentation and the writing. The instrumentation attempts to be dream-like and ends up being lullaby music. There’s relaxing and then there’s coma. The writing is even worse, consisting of platitudes that don’t really make sense the more you think about them.

If a picture paints a thousand words

Then why can’t I paint you?

The words will never show

The you I’ve come to know

If a face could launch a thousand ships

Then where am I to go?

There’s no one home but you

If a man could be two places at one time

I’d be with you

Tomorrow and today

Beside you all the way

Stupid even by 70s standard. What else is there to say besides another snoozefest?


Let’s be honest: a lot of Paul McCartney’s songs after the Beatles broke up weren’t that great. Just look at Uncle Albert/Admiral Halsey with wife Linda McCartney. This shit sounds like a reject from the Beatles’ later albums like Sgt. Peppers or Magical Mystery Tour. It’s a mess composition-wise, starting off as an acoustic guitar song before transitioning with a bunch of random sound effects into something straight out of Yellow Submarine, shouting “hands across the water, hands across the sky.” It doesn’t blend well and you’re left with a clusterfuck of a song that’s sitting on the fence because it doesn’t know if it wants to be weird or normal. This shit is wack, plain and simple. Next.


I think we can all agree that the American Civil War, like every conflict, was terrible and we don’t want to experience anything like that ever again. Why am I bringing this up? Well, because it’s the subject matter of this song, The Night They Drove Old Dixie Down, a song record by, ironically, Canadian band The Band. That’s not redundant at all. This song is famously covered by folk artist Joan Baez. Both the singing and the instrumentation are dull. But that’s not the main reason this song is on the list. No, it’s because of the writing. This song is a narrative of the struggles of a white Southerner during the end of the Civil War. As someone who is black and whose grandparents come from the South, I have no sympathy at all. I mean, the Confederacy wanted to keep slavery, which fueled the Civil War. You can’t make the Dixies sympathetic the same way you can’t make Nazis sympathetic. Joan, why did you choose to cover this song? Aren’t you an activist for liberal causes? You’re better than this.


Because the 70s has no shortage of songs with stupid titles, here’s Chick-A-Boom (Don’t Ya Jes Love It) by Daddy Dewdrop. Chick-A-Boom is a phrase that sounds lame even back then. This belongs in the 60s. It’s also sung by a guy who sounds like a complete creep, which makes sense when you look at the writing. This dude had a dream about a woman in a black bikini. When he goes to talk to her, she disappears and the dude comes across three doors. The first door opens to a party, the second one opens to Africa, and the final door is where the woman in question is at. Is this a novelty song? It’s giving me that vibe. And then there’s the chorus.


Don’t ya jes’ love it


Don’t you jes’ love it


Don’t ya jes’ love it


The song is two and a half minutes long and this takes up the majority of the runtime. In the context of the song, it’s what the other characters say after the end of the first two verses and he says it at the end of the third. This story is not well-put together and it doesn’t have a proper conclusion. God, this is stupid.


I’m going to come across a lot of songs that were on Guardians Of The Galaxy. I knew about the existence of most of these songs before those films came out and one of them is My Sweet Lord by ex-Beatle George Harrison. He might be a good musician, but one thing that George isn’t good at for the most part is writing song lyrics. My Sweet Lord is him wanting to meet God… and that’s about it. He wants to see God and he wants to be with God. I just summed up the entire song for you, no deeper analysis needed. The way he’s talking about God, it’s like he wants to marry him. Dude, God is supposed to be a omnipotent being who loves all people equally. Just because you’re 1/4 of the most popular band in history doesn’t mean you deserve special treatment. It’s religious fluff in the most wacked-out way possible. With his passing in 2001, I guess Georgie is finally with the Lord like he wanted to.


This song makes me want to puke. That little kid you see above is Donny Osmond, one of the kid stars we’re bound to hear more from going through the 70s. He had a successful career as part of the Osmonds with his brothers and as a solo artist. One of his first hits is a cover to Go Away Little Girl, a song written by Gerry Goffin and Carole King. The song is a boy trying to distance himself from a girl because of his girlfriend. He’s kinda harsh to this girl just for being near him, acting like one of those pure Christian boys who don’t want to give in to the Devil’s temptation because he wants to go to Heaven. Aside from that, the song is so sugarcoated that I think I might’ve gotten diabetes listening to it. Donny is pretty much pre-puberty Bieber and just as barf-inducing. There’s no way this kid will ever make anything good…

…………. Huh. I take it back. Speaking of Osmonds….

But first, here are some dishonorable mentions.


  • Ocean-Put Your Hand In The Hand
  • Carpenters-For All We Know
  • Helen Reddy-I Don’t Know How To Love Him
  • Osmonds-Yo-Yo
  • The Partridge Family-Doesn’t Somebody Want To Be Wanted
  • Freddie Hart-Easy Loving
  • Mac & Katie Kissoon-Chirpy Chirpy Cheep Cheep
  • Andy Williams-Where Do I Begin
  • Judy Collins-Amazing Grace
  • Richie Havens-Here Comes The Sun

And finally, the worst song of 1971 IS………

drum roll


Imagine the Jackson 5, but white and not good. You would get the Osmonds, one of the more successful Jackson 5 ripoffs. Comparing these two groups is like comparing a Maserati to a Pinto. The song that put the Osmonds on the map is One Bad Apple, a song that pretty much epitomizes bubblegum pop at its most disgustingly sugarcoated. They’ve taken so much from the Jackson 5 playbook that they might as well sue for copyright infringement. Like I said before, Donny Osmond is no Michael Jackson and his shrill voice is like nails on a chalkboard. The writing of the song is basically saying, “don’t let past relationships deter you from falling in love again,” a love song cliche older than time. And it’s just as manipulative. How? Because it’s based on a lie. Not to go all science class on you, but one bad apple DOES ruin a bunch. Why? Because some fruit produce a hormone called ethylene, which affects the ripeness of other fruits. When one of them goes bad, they ALL go bad. Consider that shooting yourself in the dick. Congratulations to One Bad Apple for being the worst song of 1971.

So those were the worst songs of 1971. In two weeks, BACK TO THE 70s continues with the Worst Songs of 1972.

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Lexicon Devil-The Germs

Never Scared-Bone Crusher ft Killer Mike & T.I.


Ugly-Bubba Sparxxx


18 thoughts on “Top 10 List: Worst Songs of 1971

  1. Have you heard “You’ve Got a Friend” by James Taylor? That’s not a bad one from him.


  2. Aside from John Lennon, the Beatles were probably better off as a group rather than going their separate ways. Aside from a select few, their solo singles just didn’t have the memorability of their glory days.

    People who complained about 2009-2011 Justin Bieber obviously didn’t know about Donny Osmond, who was the 70s equivalent. In fact, here are some similarities: Both have shrill, high-pitched girly voices (Osmond was 13-14 and Bieber was 15-16), and both had equally crazy fangirls that just made your head ache. We ought to be thankful Bieber wasn’t part of a group, or he’d have been even more inescapable. Plus, they didn’t have the coolness and swagger of the Jackson 5.

    As for the best list, I knew you were gonna put What’s Going On at Number 1, because it’s a song that’s still relevant in today’s society where there is more hate than love. Also, Take Me Home, Country Roads always brings a smile to my face when I hear it, because though I’m not a big country fan, I have fond memories of that song. Can’t wait for the Hot Rap Songs lists!

    Liked by 1 person

    1. I know this’ll sound like blasphemy, but the Jackson 5 took on the model of the Mormon group. Joe had the idea for a successful band of brothers after observing the obviously inferior version who appeared on many a variety show in the later part of the 50’s to mid-60’s. Soon, the group’s rise to fame soon overshadowed the Osmonds. The J5 had better written songs, a bit more edge in their voices to compliment the lyrics’ credibility and most importantly, longevity.


  3. A fair amount of these are songs I heard growing up thanks to music my parents had transferred from record to cassette. I don’t have too many disagreements though, aside from My Sweet Lord which I actually like for its interesting blend of Hindu and Judeo-Christian prayer.

    Liked by 1 person

  4. Great lists for both worst and best. The 70s is where a lot of my favorite music comes from mostly with rock but I also enjoy a lot of the pop, soul, R&B, funk, and disco. You make a good point about Carly Simon being the 70s Taylor Swift cause when I listen to You’re So Vain, I can immediately see where Taylor Swift got the inspiration for how she writes her breakup songs. As someone who’s listened to Beatles music my whole life and seen Paul McCartney in concert twice, even I can admit a lot of his solo songs are very cheesy including this one. My parents would play Uncle Albert/Admiral Halsey many times during family car rides and the second part with the “hands across the water” just annoys me now. This song has the same problem Filthy by Justin Timberlake had in how it keeps changing the structure out of left field and jamming a bunch of musical ideas in without any cohesion. In terms of The Beatles solo work, I always liked George for his more spiritual meaninful songs and I really like his All Things Must Pass album. Even though I like My Sweet Lord for the guitars and key change, I’ve always wished there was more to the lyrics than repeating the title and saying you want to be with God. Lot of great choices for best list with songs that I’ve enjoyed thoughout much of my life.
    What do you think of these songs from 1971 that didn’t make the cut for both lists?
    Maggie May- Rod Stewart
    I Feel the Earth Move- Carole King
    It’s Too Late- Carole King
    Brown Sugar- Rolling Stones
    It Don’t Come Easy- Ringo Starr

    Liked by 1 person

    1. Maggie May, I Feel The Earth Move, and It’s Too Late are okay to me, I like Brown Sugar, and I’m not a fan of It Don’t Come Easy.


      1. Maggie May and Brown Sugar are classics for me. I’m not big on Carole King other than Tapestry and the Broadway musical they have on her now. I like her life story of how she spent much of her time writing hits for other artists before breaking out with one of the biggest albums ever. She’s very talented musically but her music has never really been my cup of tea. I enjoy I Feel the Earth Move mostly for the fast paced piano groove. It sounds like the 70s version of Crazy in Love for how Carole sings about her infatuation for this guy and can’t control her emotions. It’s Too Late is okay enough for me with the pianos and that jazz guitar solo but too mellow for my tastes. It Don’t Come Easy is okay enough for me but like a lot of the Beatles solo work it doesn’t make me want to go back to it.


  5. Haven’t listened to many of these songs all the way through. But I mostly agree with your list, except for The Night They Drove Old Dixie Down. But, knowing you, it’s not surprising that it’s here. I also don’t mind Paul McCartney’s song that much (probably because I like the “hands across the water” hook) and I don’t think Carly Simon’s song is all that bad.


  6. No disagreements here, all these songs suck. Oh, and fun fact: we have the exact same top five, the only difference being the swapped placements of My Sweet Lord and Chick-A-Boom on my list. For the best list, I gotta admit, I’m not the biggest fan of Amos Moses, but I do see the appeal (though I am curious to know your opinion of Jerry Reed’s other song on the ’71 YE, When You’re Hot, You’re Hot).

    And now, the anomalies:


    The Partridge Family – I Woke Up In Love This Morning
    Ringo Starr – It Don’t Come Easy
    Olivia Newton-John – If Not For You


    Cher – Gypsies, Tramps & Thieves
    Neil Diamond – I Am…I Said
    Rare Earth – I Just Want To Celebrate
    Tom Jones – She’s A Lady
    Rod Stewart – Maggie May
    Tony Orlando & Dawn – Knock Three Times
    Hamilton, Joe Frank & Reynolds – Don’t Pull Your Love

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      1. I have a few other songs from this year that I’m curious to what your thoughts are on them: Indian Reservation (Lament for the Cherokee People) by Paul Revere & the Raiders (aka the song Tim McGraw butchered when he made Indian Outlaw in 1994), Wild World by Cat Stevens, Love Her Madly by The Doors.


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